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Waltz in A ♭ major (1840, some sources say 1847).Waltz in D ♭ major, Minute Waltz (1847).18: Grande valse brillante in E ♭ major (1833) VIIa/3: Variations on a Ukrainian Dumka for violin and piano, by Antoni Radziwill, completed by Chopin (by June 1830) Vb/2: Variations in F, piano 4-hands or 2 pianos (1826) 37 WN 16: Variations in A, Souvenir de Paganini (1829 pub. Introduction et Variations sur un Lied allemand (1826 pub.

14 WN 6: Variations in E major on the air "Der Schweizerbub: Steh'auf, steh'auf o du Schweitzer Bub", a.k.a. 12a WN 5: Variations in D major or B minor on an Irish National Air (from Thomas Moore) for 2 pianos, P. IVa/6: Introduction, Theme and Variations in D on a Venetian air, piano 4-hands (18) 29A: Variation in E for Hexameron (1837 pub. 12: Variations brillantes in B ♭ major on "Je vends des scapulaires" from Hérold's Ludovic (1833) 2: Variations on "Là ci darem la mano" from Mozart's Don Giovanni for piano and orchestra (1827) Main article: Miscellaneous compositions (Chopin) 73 WN 15: Rondo in C major for 2 pianos (1828 arr. 2/7 WN 44: Prelude in A ♭ major (1834, published 1918 ded. 1/6: Nocturne in C ♯ minor ( Nocturne oubliée) (spurious) 1/16 WN 37: Nocturne in C ♯ minor, Lento con gran espressione (1830)

Mazurka in D major "Mazurek" (doubtful, 1820? pub.

Mazurka in F minor (1849 WN 65 Last composition).

Posthumously published With opus numbers 1841 in Album de pianistes polonais, without Op. 1841 in Six morceaux de salon, without Op.

Mazurka in A ♭ major (1824, revised 1830).

Mazurka in A minor (1829, revised 1830).

Nicknames have been given to most of Chopin's Études over time, but Chopin himself never used nicknames for these pieces, nor did he name them. Brown ( B), Krystyna Kobylańska ( KK), Józef Michał Chomiński ( A, C, D, E, P, S), and Jan Ekier ( WN, Dbop.). This listing uses the traditional opus numbers where they apply other works are identified by numbers from the catalogues of Maurice J. Also, Chopin wrote numerous song settings of Polish texts, and chamber pieces including a piano trio and a cello sonata. 10 and 25 (which are a staple of that genre for pianists), and the 24 Preludes, Op. 28 (a cycle of short pieces paired in a major key/relative minor key pattern following the circle of fifths in clockwise steps). Two important collections are the Études, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes. His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op.

Most of Chopin's compositions were for solo piano, though he did compose two piano concertos as well as some other music for ensembles.